Josiah Posey — photographs

Somewhere to sit with an image for a while.

Work I make because I want to. Three ways to move through it — pick one, then open any frame. The interface gets out of the way, and takes its colour from whatever you're looking at.

Grid

An asymmetric editorial composition.

01 CDT 77mm equiv · f/2.8
02 LZW 26mm equiv · f/1.5
03 NJV 77mm equiv · f/2.8
04 PUW 26mm equiv · f/1.5
05 QNW 26mm equiv · f/1.5
06 VQZ 77mm equiv · f/2.8
07 ZAV 77mm equiv · f/2.8
08 AVA 26mm equiv · f/1.5
09 QWS 26mm equiv · f/1.5
10 NXE 26mm equiv · f/1.5
11 ZYH 26mm equiv · f/1.5
12 ENN 26mm equiv · f/1.5
13 XHP 77mm equiv · f/2.8
14 ZHK 26mm equiv · f/1.5
15 OZY 77mm equiv · f/2.8
16 QMO 13mm equiv · f/1.8
17 ROQ 26mm equiv · f/1.5
18 UAY 26mm equiv · f/1.5
19 UEH 13mm equiv · f/1.8
20 CWZ 77mm equiv · f/2.8
21 MLD 77mm equiv · f/2.8
22 ZRZ 14mm equiv · f/1.8
23 BVN 26mm equiv · f/1.5
24 BLU 77mm equiv · f/2.8
25 PNZ 77mm equiv · f/2.8
26 TMZ 26mm equiv · f/1.5
27 VUS 26mm equiv · f/1.5
28 CSM 28mm equiv · f/8
29 IGX 10mm · f/8
30 BWP 26mm equiv · f/1.5
31 EHB 26mm equiv · f/1.5
32 JZW 13mm equiv · f/1.8
33 ZQX 26mm equiv · f/1.5
34 DCB 26mm equiv · f/1.5
35 ZOC 4.745mm · f/1.8
36 YAW 23mm · f/4
37 PRC 29mm · f/5.6
38 MXM 53mm · f/5.6
39 CRQ 26mm equiv · f/1.8
40 NRR 23mm equiv · f/2.2
41 ADH 43mm equiv · f/2.4
42 FKA 27mm equiv · f/1.7
43 BNR 27mm equiv · f/1.7
44 NBT 27mm equiv · f/1.7
45 IKA 26mm equiv · f/1.8
46 SXO 26mm equiv · f/1.8
47 AFF 4.25mm · f/1.8
48 DQG 52mm equiv · f/2.4
49 NRE 52mm equiv · f/2.4
50 SXM 52mm equiv · f/2.4
51 BWB 44mm equiv · f/4
52 JWS 28mm equiv · f/1.8
53 LFA 24mm equiv · f/4
54 NLP 8mm · f/4
55 OAV 19.29mm · f/5
56 QMT 8mm · f/6.3
57 HUR 3.99mm · f/1.8
58 ZMQ 3.99mm · f/1.8
59 FKY 6.6mm · f/2.8
60 LYB 6.6mm · f/2.8
61 GCU 25.7mm · f/2.8
62 PZE 25.7mm · f/2.8
63 YCS 52mm equiv · f/8
64 NVQ 35mm equiv · f/5.6
65 OZW 35mm equiv · f/4
66 KQL 52mm equiv · f/4
67 YJK 52mm equiv · f/2.8
68 OPW 28mm equiv · f/1.8
69 IPQ 52mm equiv · f/3.5
70 KRH 200mm equiv · f/8
71 SDZ 200mm equiv · f/4
72 GST 52mm equiv · f/4
73 KSD 52mm equiv · f/4
74 QXA 52mm equiv · f/2.8
75 UTC 28mm equiv · f/1.8
76 YCX 52mm equiv · f/4
77 XFE 28mm equiv · f/1.8
78 GKA 35mm equiv · f/9
79 HCA 70mm equiv · f/11
80 RIT 26mm equiv · f/1.8
81 ELF 35mm equiv · f/2
82 PLJ 36mm equiv · f/8
83 GTY 26mm equiv · f/1.8
84 WNO 26mm equiv · f/1.8
85 VTD 36mm equiv · f/8
86 ZLR 50mm equiv · f/2.8
87 ZHV 50mm equiv · f/2
88 KRJ 50mm equiv · f/3.5
89 NJI 50mm equiv · f/3.5
90 RMA 50mm equiv · f/3.5
91 RFP 50mm equiv · f/3.2
92 CHV 35mm equiv · f/8
93 CXF 24mm equiv · f/11
94 FNX 24mm equiv · f/1.8
95 HTH 26mm equiv · f/1.8
96 IIR 52mm equiv · f/5.6
97 JUQ 36mm equiv · f/2.8
98 LUS 52mm equiv · f/8
99 PBC 52mm equiv · f/2.4
100 IDE 75mm equiv · f/2.8
101 TLM 52mm equiv · f/5.6
102 TVJ 75mm equiv · f/4
103 UUJ 75mm equiv · f/4
104 WHE 52mm equiv · f/8
105 UJX 75mm equiv · f/11

Scroll, swipe, or use the arrows — the wall runs sideways

Grid

An asymmetric editorial composition. Best for volume — mixed orientations sit together without cropping.

Wall

One horizontal rail, like walking an exhibition. Most distinctive; rewards a tight edit over a big archive.

Sequence

One plate per screen, scroll-snapped. Maximum reverence per image and full control of order.

Slideshow

Full screen, advancing on its own. Move the mouse and it pauses and hands the controls back; hold still and it picks up again.

Keys

move · S slideshow · Esc returns you to the frame you opened.